This work already gets you to start questioning. Slides are (generally) projected on the wall. But this one is on the floor. It gets you to think artists are turning this very traditional medium into something they can manipulate.

The camera literally just crawls over every surface. It moves in and out of being abstract and concrete. It becomes this intense investigation of this one artwork.

The slides are the way art history is taught. It's the way artists and art historians learn about art. Even now, a good portion of your art history classes is taught with slides, not digitally.

This is the only piece in the show that doesn't have a slide in it. In some ways, it's the most conceptual piece in the exhibition.

... I think a lot of people are questioning whether or not this is going to work. There's a lot of expectations and a lot depends on whether the congregation ... allows him to be himself. He seems ... stiffer in front of the camera. He may grow into it, but that's the question.

We were having so much trouble getting the cars feeling the same, I started questioning the work the guys were doing if they were cutting corners or setting them up right. I questioned what was going on with the weight, and we got to looking in the books and saw it got away from us.