The camera literally just crawls over every surface. It moves in and out of being abstract and concrete. It becomes this intense investigation of this one artwork.

Whitman was Emerson translated from the abstract into the concrete.

Basically, Sherri's idea had to do with bringing Fat's mind down from the cosmic and the abstract to the particular. She had hatched out the practical notion that nothing is more real than a large World War Two Soviet tank.

The slides are the way art history is taught. It's the way artists and art historians learn about art. Even now, a good portion of your art history classes is taught with slides, not digitally.

This is the only piece in the show that doesn't have a slide in it. In some ways, it's the most conceptual piece in the exhibition.

This work already gets you to start questioning. Slides are (generally) projected on the wall. But this one is on the floor. It gets you to think artists are turning this very traditional medium into something they can manipulate.