This is the only piece in the show that doesn't have a slide in it. In some ways, it's the most conceptual piece in the exhibition.

The camera literally just crawls over every surface. It moves in and out of being abstract and concrete. It becomes this intense investigation of this one artwork.

The slides are the way art history is taught. It's the way artists and art historians learn about art. Even now, a good portion of your art history classes is taught with slides, not digitally.

This work already gets you to start questioning. Slides are (generally) projected on the wall. But this one is on the floor. It gets you to think artists are turning this very traditional medium into something they can manipulate.

Two years ago, Frank Doyle came into the Harvard game in the third period in Albany [to replace Jimmy Howard]. You've got to be ready for everything.

I am really looking forward to seeing Molly, Morgan, and Kelsey run.