Well, you know I have an office, my film offices. So I know that syndrome. I fancy offices, so there must be something wrong with me. Even the window cleaner intrigues me. It's a very sexy environment.

I don't hate L.A., but I'm nervous about becoming one of those people who has a ferocious interest in how films did at the box office that weekend and, you know, would want to meet for egg-white omelets in the morning.

Something about teaching is curiously attractive, actually. I don't know what it is.

My dad always told me, 'I don't care what you do. Just aim to be the best at it. Even if it's the world's best window cleaner.'

But the difference between a good film and real life is that in real life, there's the next day, the next year, the next lifetime to contemplate the ruinous consequences of easy applause.

[Hurley, whose most famous film is] Austin Powers: International Man of Mystery, ... Four Weddings and a Funeral.