Matthew has opened the doors to a wider audience for ballet.

I've got a hairy chest, for one thing. I don't have a huge ballet technique -- my legs don't go that high. But you don't have to have those things. You have to dance and act well. You have to have an intense intention. You're in frilly pants, no top on, and you have a stripe down your nose, and you've got to convince the audience you're a swan.

I'm not a ballet dancer. I don't come from a ballet background.

I trained as a dancer when I was much younger, for a large amount of time, like 6 or 7 years. Not to be a ballet dancer, actually, but I thought it was a complement for an actor. I thought that actors should know how to move, should know how to juggle, should know how to do acrobatics.

Classic Ballet,

Keep away, keep building your creaky fairy castles, keep cloning clones and meaningless manners, hang on to your beanstalk ballerinas and their midget male shadows, run yourself out of business with your tons of froufrou and costly clattery toe shoes that ruin all chances for illusions of lightness, keep on crowding the minds of blind balletomanes who prefer dainty poses to the eloquent strength of momentum, who have forgotten or never known the manings of gesture, who would nod their noses to barefoot embargos ("so grab me" spelt backwards). Continue to repolish your stiff technique and to ignore a public that hungers for something other than a bag of tricks and the empty-headedness of surface patterns.

Just keep it up, keep imitating yourself, and, , go grow your own dance makers. Come on, don't keep trying to filter modern ones through your so-safe extablishment. We're to be seen undiluted, undistorted, not absorbed by your hollow world like blood into a sponge.

Yours truly,
A Different Leaf on Our Family Tree

If ballet were easy, they'd call it football