He looked at me the way you’d look at a poodle that suddenly started reciting Hamlet.

Basically, what you really want to do is try to engage the viewer's body relation to his thinking and walking and looking, without being overly heavy-handed about it.

The people got daily worse from the cold and the bad water, and they must all have perished if they had not discovered the port about the time they did.

The tract through which we passed is generally very good land, with plenty of water; and there, as well as here, the country is neither rocky nor overrun with brush-wood.

But I'll try to immerse myself in as many of the formal characteristics of site as possible in the landscape.

I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer.