Basically, what you really want to do is try to engage the viewer's body relation to his thinking and walking and looking, without being overly heavy-handed about it.

I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer.

But I don't think of any particular viewer in mind other than myself.

The thing about rigging is, you can learn it if you become a master rigger but there's no book on rigging.

I thought Out of Action was better as a catalogue than the honeycomb because the honeycomb was like walking into one compartment and then another compartment.

I think this, I think basically I'm not interested in people following my work or making work like my work.