But I don't think of any particular viewer in mind other than myself.

I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer.

Basically, what you really want to do is try to engage the viewer's body relation to his thinking and walking and looking, without being overly heavy-handed about it.

But what does interest me is the notion that if you do a lot of work it means there's a potential for other people to understand that a lot of things are possible with a sustained effort and that the broadening of experiences is possible and I think that's all art can be.

But I'll try to immerse myself in as many of the formal characteristics of site as possible in the landscape.

In no State is there a weightier law than that which centers its stability in the supreme hereditary power of one particular family, unconnected and un-commingling with any other lineage in that State.