Environmental issues have always been important to me.

I wanted it to be really ambiguous so people could read into it their own way.

I was really thinking of this idea of finding a level, finding a level with the environment.

It ended up being more of a challenge than I expected it to be. I think it's good, because I wouldn't, on my own, do that.

My films are very rooted in specific people's point of view. Some film-makers give a more global point of view, like God looking down at the characters.

From a production point of view, I still have one foot firmly planted in the independent film world, and much of the shooting on 'Jumper' was done 'Swingers'-style because that was the only way we could afford to do it.