You're the Nile,/ You're the Tower of Pisa,/ You're the smile/ On the Mona Lisa.

Felt like the Leaning Tower of Pisa out there sometimes,

We seem to live in a world where you have to walk around grinning like a loon. I can’t understand all the fuss about Mona Lisa painting, everyone wondering why she’s not smiling, if she’s depressed or heartbroken. No, she was just normal!
Emotions are always extreme these days: you either have to be crying with laughter or crying in pain. No wonder water levels are rising. It’s not global warming, it’s all the tears from crying.

Mona Lisa looks as if she has just been sick, or is about to be.

I’m glad you still have your survival instinct.”

“We’ve all got something.” I lift my fingertips to the exposed skin on my face. It’s colder than the night sea. Cupping my hands, I blow into them, let my breath warm my nose and cheeks. “I apparently still have a face, which is good.”

Holden vaults up onto the wooden platform and I step up after him. “That is good,” he says, pulling me in close. He lifts his gloved hands to my cheeks. “After all, this is one of my favorite faces.”

I scrunch my lips into a pretend pout. “One of?”

He grins. “Well, you know. I’m a sucker for the classics. Helen of Troy, the Mona Lisa, that—”

“Hey. The Mona Lisa isn’t even hot.” I give him a little shove away from me, toward the edge of the platform.

“Disagree,” Holden says. “She’s beautiful in her own way. That mischievous smile, those dark, soulful eyes, the way she—”

“Fine, whatever.” I cross my arms. “But I insist on being ranked above her.”

“Okay, okay,” Holden says. “Yours can be my second-favorite face . . . right after that guy from The Scream.” He pulls me in close again.

“You’re such an ass,” I say, as our lips touch.

Holden laughs. “My girl Mona Lisa would never be so rude.

..a jostling scrum of office buildings so mediocre that the only way you ever remember them is by the frustration they induce—like a basketball team standing shoulder to shoulder between you and the Mona Lisa.