You mentioned . . . one of the two great labyrinths into which the mind is drawn. What . . . is the other?"
"The other is the composition of the continuum, or: what is space?

This is one of the two great labyrinths into which human minds are drawn: the question of free will versus predestination.

He's rich," Jack muttered to Eliza, "or connected with rich persons."
"Yes—the clothes, the coins ..."
"All fakeable."
"How do you know him to be rich, then?"
"In the wilderness, only the most terrible beasts of prey cavort and gambol. Deer and rabbits play no games."
(Jack Shaftoe and Eliza)

Thousands of years ago, the work that people did had been broken down into jobs that were the same every day, in organizations where people were interchangeable parts. All of the story had been bled out of their lives. That was how it had to be; it was how you got a productive economy. But it would be easy to see a will at work behind this: not exactly an evil will, but a selfish will. The people who’d made the system thus were jealous, not of money and not of power but of story.

Seven billion who need to be kept happy, and docile, until the end. How do you do that? What's the best way to calm down a scared kid, get them to go back to sleep? Tell them a story. Some shit about Jesus or whatever.

Just aiming a speely input device, or a Farspark chambre, or whatever you call it... a speelycaptor... at something doesn't collect what is meaningful to me. I need someone to gather it in with all their senses, mix it round in their head, and make it over into words.