You give them recommendations. You throw different angles at them where, hopefully, they can get something out of it.

There are different angles you have to work with as a hitter. Figuring out with my body what helps me get into those angles... is a constant discovery.

With age, you get to a place where you don't want to knock people out. You just want to give people a hug.

You don't rehearse jazz to death to get the camera angles.

You've got to learn how to read the ball, learn the pursuit angles, and learn which base to throw to.

Every year, the Giller jury is different. You write the best book you can and throw it out there.