You feel the music needs something but you don't know what. So you start searching, fitting, measuring, trying. Every time you try another angle. And sometimes that's frustrating, especially if you don't come up with something for three days.

You feel the music needs something but you don't know what. So you start searching, fitting, measuring, trying. Every time you try another angle. And sometimes that's frustrating, especially if you don't come up with something for three days.

The music comes first. When Geoff has made something the inspiration comes automatically. His music is very expressive. But still is is a very difficult process: I have to add something to his music, not push it away. It has to be equal, and I find that very difficult.

We're seeing a lot more activity trying to manage in-motion inventory, direct it to the place it needs to be and avoid disaster areas.

All of those stories about my interview-fear date from the beginning of the band. At the time of our first interviews everything was new and unclear, so I usually was staring at a reporter with this big question mark above my head. I just didn't know it then. It was too new, and I was nervous and paranoid.

This is like having a special-needs child. She still, after all this time, won't let me reach out and pet her. She stays at an arm's length. I think her reaction is out of the past.