When you're fighting with a stunt person, your intent is to miss.

I never was really into comics as a child, and I think if you miss the boat when you're a kid, you don't necessarily pick up on it when you're an adult.

We don't move on in the stunt unless it looks like a hit. So when I see it on TV, I'm generally satisfied that people are going to buy it.

It's all about exploring the more unpredictable aspects in the character, not just fighting people.

You show your vulnerability through relationships, and those feelings are your soft spot. You need to have a soft spot.

I think I'm a people person. I get very attached to people. And I've become so attached to all the people on my show, the cast, the crew and the producers.