When you hold things back, when you don't commit completely to your ideas and trust completely in your own instincts, you are guaranteeing your own failure - even if you end up having commercial success.

It's pretty hard to make out what's going to be a commercial success and what's not.

As far commercial success, I don't think that's a focus but it's not that we don't enjoy that. It's not something you can attempt and achieve.

There's a lot of pressure on Broadway. There's this feeling that the show has to be a commercial success and the producers have to make their money back and Tonys and blah, blah, blah, blah, blah.

You come off the kind of commercial success that 'Rumours' had, and you see that there are limitations to that as well as freedoms.

A film has to be for commercial success as well as earn you respect as an artist. You don't want to do only things that are designed to run commercially, and neither do you want to do things that get acclaim but don't run.