When you enter the woods of a fairy tale and it is night, the trees tower on either side of the path. They loom large because everything in the world of fairy tales is blown out of proportion. If the owl shouts, the otherwise deathly silence magnifies its call. The tasks you are given to do (by the witch, by the stepmother, by the wise old woman) are insurmountable - pull a single hair from the crescent moon bear's throat; separate a bowl's worth of poppy seeds from a pile of dirt. The forest seems endless. But when you do reach the daylight, triumphantly carrying the particular hair or having outwitted the wolf; when the owl is once again a shy bird and the trees only a lush canopy filtering the sun, the world is forever changed for your having seen it otherwise. From now on, when you come upon darkness, you'll know it has dimension. You'll know how closely poppy seeds and dirt resemble each other. The forest will be just another story that has absorbed you, taken you through its paces, and cast you out again to your home with its rattling windows and empty refrigerator - to your meager livelihood, which demands, inevitably, that you write about it.

Elizabeth Jarrett Andrew

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It was our passion for words and our ardent desire to write that drew me and Michael together, and the same that drove us apart.
Michael wanted to be a great playwright, like the former master Molière. He had high ambitions and scorned what I wrote as frivolous and feminine.
‘All these disguises and duels and abductions,’ he said contemptuously, one day a year or so after our affair began, slapping down the pile of paper covered with my sprawling handwriting. ‘All these desperate love affairs. And you wish me to take you seriously.’
‘I like disguises and duels.’ I sat bolt upright on the edge of my bed. ‘Better than those dreary boring plays you write. At least something happens in my stories.’
‘At least my plays are about something.’
‘My stories are about something too. Just because they aren’t boring doesn’t mean they aren’t worthy.’
‘What are they about? Love’ He clasped his hands together near his ear and fluttered his eyelashes.’
‘Yes, love. What’s wrong with writing about love? Everyone longs for love.’
‘Aren’t there enough love stories in the world without adding to them?
‘Isn’t there enough misery and tragedy?’
Michael snorted with contempt.
‘What’s wrong with wanting to be happy?
‘It’s sugary and sentimental.’
‘Sugary? I’m not sugary.’ I was so angry that I hurled my shoes at his head.
Kate Forsyth
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