When I was starting out and had to cut my teeth and build my resume to get in, I had to basically work for free on a lot of things.

I've got to be out doing a million things. That's how I find stories. That's how I get the relationships and get the projects that I get with the writers, the directors.

You can get any film now basically for free, and that's where I think the model we're talking about is - if you give people what they want, how they want it and when they want it, they're more likely to pay for it.

If I had the opportunity to buy the latest movie that's out that month and watch it on the comfort of my big screen TV, I would pay for that.

If you're clever enough and creative enough to get a good film made, then you should be clever enough and creative enough to find ways to get it out there, one being something like Jameson First Shot.

You can learn a lot from somebody's video bio: if you're not going to gel with the actor or a crew.