When I look back now, it must have been like Paris was at the time of Le Sacre du Printemps.

Never been in the habit to look back.

My way is to look forward, not back.

Look at the Paris Commune. That was the Dictatorship of the Proletariat.

Now when I look back to the Guildford of that time, it seems far more exotic to me than Nagasaki.

I look at the artistic process as like experiencing the world, channeling it through your personality and sending it back out there. That's the process.