What's it about,' I asked, and he said, 'It's about a guy selling watermelons,' ... I said, 'You're gonna put a black man on stage selling watermelons?' And August said, 'He's trying to buy some land.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Two watermelons cannot be held under one arm

I re-read all the plays. I'm not sad. He was out of this world—so common, regular, ordinary, but capable of writing awesome poetry. If someone wants to understand what frustrations we felt in the 1950s read 'Fences.' To know about how Blacks were exploited in the music business read 'Ma Rainey.' All those things that teach us from centuries ago to the present are in the forefront of his words.

'What's it about,' I asked, and he said, 'It's about a guy selling watermelons,' ... I said, 'You're gonna put a black man on stage selling watermelons?' And August said, 'He's trying to buy some land.'

I re-read all the plays. I'm not sad. He was out of this world—so common, regular, ordinary, but capable of writing awesome poetry. If someone wants to understand what frustrations we felt in the 1950s read 'Fences.' To know about how Blacks were exploited in the music business read 'Ma Rainey.' All those things that teach us from centuries ago to the present are in the forefront of his words.