Whatever precautions you take so the photograph will look like this or that, there comes a moment when the photograph surprises you. It is the other's gaze that wins out and decides.

I became the stage for the great argument between Nietzsche and Rousseau. I was the extra ready to take on all the roles.

In philosophy, you have to reckon with the implicit level of an accumulated reserve, and thus with a very great number of relays, with the shared responsibility of these relays.

I have always had trouble recognizing myself in the features of the intellectual playing his political role according to the screenplay that you are familiar with and whose heritage deserves to be questioned.

You don't take a photograph, you make it.

A photograph is a moment - when you press the button, it will never come back.