Well, I don't think I've ever consciously come up with tricks and tools to, kind of, hide. I do think I'm a bit more vigilant, in terms of safety issues and things. And sometimes it is kind of nice to try to hold onto your anonymity.

Sometimes when you play a character, you can feel it in your body. And I felt like I had characteristics of my dog: the way Webster moves, the way he holds his head. I kind of adapted it into this part unconsciously.

Whenever you move, I think you lose your history.

Webster and I are very aloof. The two of us go and sit there by ourselves. I sit by myself in the corner with my book and the newspaper. He kind of runs around a little bit, and then he goes and sits on top of the picnic table. He never plays with other little dogs.

A lot of the tabloid stories are written so well, they're very clever and very funny. But you have to focus on what's really important and not read them - don't dive into it and don't get caught up in it.

Shows can come and go. They can be a hit and then in three years, gone. There's some comfort in having the stability of a job and having children. It's a double-edged sword.