We're quite into graphics that are simultaneously two- and three-dimensional. But I can't really elaborate any further because it's not something - we haven't really perfected it.

I feel like a three-dimensional girl in a two-dimensional world.

I'm quite into the idea of engineering being beautiful.

We're more into sort of fluid structures that are simultaneously the most efficient, the most beautiful, and the most engineered. You know what I mean? We like the balance you can get in there.

[In]the too solid three-dimensional city, I could never feel myself as anything but spectral, disintegrating, pointless, fluid.

It's kind of like trying to make straight lines from curves, but involving shapes that sort of dictate what the curves are, if you like, and the difference between two separate pieces creates a third transitional piece if you like.