We were anxious to get out there and get after it like we're supposed to.

They're trying to do a lot of things to keep him from making plays.

Things developed a little slowly. But we stayed patient. Then we figured out that we could run effectively and mix in the pass.

His family felt like it was best for him to leave, and it's unfortunate for us. You can't sit there and dwell over it and cry over it. We've got a game to get ready for.

My films are very rooted in specific people's point of view. Some film-makers give a more global point of view, like God looking down at the characters.

From a production point of view, I still have one foot firmly planted in the independent film world, and much of the shooting on 'Jumper' was done 'Swingers'-style because that was the only way we could afford to do it.