We have meetings with our record label to tell them how to market us.

After we wrote The Wreckoning, our record label did listen.

I'm developing artists for my new record label, my son's band, Intangible, being one of them.

I'd done recordings, little demos, since I was in college, which I used to get gigs. But I never thought I'd have a record label.

I should be the one to say what I do. It's just not done that way anymore in Nashville, and I can't do it the other way. That's how our record label came about.

I want to have a publishing company and a record label, and I want to manage five artists... eventually.