To interpose the threat of physical destruction between a man and his perception of reality, is to negate and paralyze his means of survival; to force him to act against his own judgment, is like forcing him to act against his own sight

They proclaim that every man is entitled to exist without labor and, the laws of reality to the contrary notwithstanding, is entitled to receive his "minimum sustenance" his food, his clothes, his shelter, with no effort on his part, as his due and his birthright. To receive it, from whom?

Reality confronts man with a great many "musts," but all of them are conditional; the formula of realistic necessity is: "You must, if " and the "if" stands for man's choice

No! I don't want to speak of that! But I'm going to. I want you to hear. I want you to know what's in store for you. There will be days when you'll look at your hands and you'll want to take something and smash every bone in them, because they'll be taunting you with what they could do, if you found a chance for them to do it, and you can't find that chance, and you can't bear your living body because it has failed those hands somewhere. There will be days when a bus driver will snap at you as you enter a bus, and he'll be only asking for a dime, but that won't be what you hear; you'll hear that you're nothing, that he's laughing at you, that it's written on your forehead, that thing they hate you for. There will be days when you'll stand in the corner of a hall and listen to a creature on a platform talking about buildings, about the work you love, and the things he'll say will make you wait for somebody to rise and crack him open between two thumbnails; and then you'll hear people applauding him, and you'll want to scream, because you won't know whether they're real or you are, whether you're in a room full of gored skulls, or whether someone has just emptied your own head, and you'll say nothing, because the sounds you could make - they're not a language in that room any longer; but you'd want to speak, you won't anyway, because you'll be brushed aside, you who have nothing to tell them about buildings! Is that what you want?

Andrei, did you like the opera?"
"Not particularly."
"Andrei, do you see what you're missing?"
"I don't think I do, Kira. It's all rather silly. And useless."
"Can't you enjoy things that are useless, merely because they are beautiful?"
"No. But I enjoyed it."
"The music?"
"No. The way you listened to it.

... he had always wondered why the sensations one felt in dreamas were so much more intense than anything one could experience in waking reality—why the horror was so total and the ecstacy so complete—and what was that extra quality which could never be recaptured afterward; the quality of what he felt when he walked down a path through tangled green leaves in a dream, in an air full of expectation, of causeless, utter rapture—and when he awakened he could not explain it, it had just been a path through some woods.