This film is at its best when it is most direct and speaks from the heart, when it shows lives torn apart.

We're retreating to the film equivalent of macaroni and cheese.

I have a problematic relationship with some of Michael Moore's work. There's no such job as a standup journalist.

I'd be thinking, short term, people want comedy, but who's to say where the public's mindset will be a few years from now. In the Cold War people couldn't get enough science fiction.

This was supposed to be my homecoming project. I'm really taking to heart how this film is performing in America.

The film market is the economic engine of the festival, but the films remain its heart and soul.