They have a viewpoint, they have a story to tell, and all of their photos tell that story. This isn't merely a record of something, it has an implication.

It's almost scary that we have not solved these issues.

By starting with him, [the viewer is] reminded there's always an aesthetic eye behind the framing of these pictures.

Shall I tell you the difference between our Holy Father and ourselves? We see things from a single view-point. He sees things from several. We decide that the thing is as we see it. But He has seen it otherwise, and He presents it as a more or less complete coaction of its qualities. See this sapphire. Well, you see the face of it: underneath, if I take it off my finger, there are a number of facets to be seen and a number more which are hidden by the gold of the setting. Now my meaning is that our Holy Father has seen all the facets as well as the table of the sapphire, or the thing. Consequently He knows a great deal more about the sapphire, or the thing, than we do. You must have noted that in Him. You must have noted how that every now and then, when He deigns to explain, He makes mysteries appear most wonderfully lucid.

I ask you right here please to agree with me that a scar is never ugly. That is what the scar makers want us to think. But you and I, we must make an agreement to defy them. We must see all scars as beauty. Okay? This will be our secret. Because take it from me, a scar does not form on the dying. A scar means, I survived.

From my viewpoint it was in the box. The divot that was made was in the box, in my viewpoint.