There is no past or future. Using tenses to divide time is like making chalk marks on water.

Electricity, the peril the wind sings to in the wires on a gray day.

I had a cousin once who lived in your dictionary, inside the binding, and there was a tiny hole which he used for a door, and it led out between trichotomy and trick. Now what do you think of that? It was only a few minutes walk to trigger, then over the page to trinity, trinket and trional, and there my cousin used to fall asleep.

They all seemed hungry, happy, and healthy enough in their buzzing—oh the days were hot, and the noise of bees filled the air that was dusty with pollen and sun haze, and there were tiny black flies stuck to one another crowded by the creek and a creek stink rising from the deep pool under the willow tree where a wheat sack of new kittens had been drowned, and their tiny terrible struggling had shot like an electric current through the confusion of muddy water and up the arm of the person who had tied the stone around the mouth of the sack and thrust it into the water; and the culprit had not been able to brush away the current; it penetrated her body and made her heart beat with fear and pity. I was the culprit.

It would be nice to travel if you knew where you were going and where you would live at the end or do we ever know, do we ever live where we live, we're always in other places, lost, like sheep.

People dread silence because it is transparent; like clear water, which reveals every obstacle—the used, the dead, the drowned, silence reveals the cast-off words and thoughts dropped in to obscure its clear stream. And when people stare too close to silence they sometimes face their own reflections, their magnified shadows in the depths, and that frightens them. I know; I know.