Thematically, most of my work deals with transition, our culture's constant acceleration, and emotional connection and disconnection through technology.

I love the idea of bringing my work to the general public, not just people who go to gallery openings.

I think in America there's this free flow between fashion, art, architecture, music and design. In Europe, it's more segregated between those different disciplines, I think.

A lot of very popular mainstream artists are products of record companies and marketing companies, and any time anyone can stand outside of that, that's interesting.

I'm a huge cinemaphile. My interest in filmmaking came out of experimenting with different genres, and I wanted to go back to working in a way that was more personal, which, for me, was artwork. Commercials and films are more collaborative.

I'm very obsessed with the energy of New York and the idea of the way people behave in the city versus the way they behave in a natural environment.