The work itself has a complete circle of meaning and counterpoint. And without your involvement as a viewer, there is no story.

There's something imminent in the work, but the circle is only completed by the viewer.

My work is not about my life history. It's not about the story of my neurosis.

What one does in the studio is to pose a series of problems to oneself. I've got to look for some deeper meaning, for some reason for this thing to be in the world. There's enough stuff in the world.

Sculpture occupies the same space as your body.

Work grows out of other work, and there are very few eureka moments.