The question I always ask is: 'Where are all the women directors in America?' You know, where's the female Martin Scorsese, the female David Lynch?

I worked with the best directors - Martin Scorsese, John Huston, David Lynch, Alfred Hitchcock. Alfred Hitchcock was great.

I'm a big David Lynch fan.

Part of the reason I actually preferred Twin Peaks's second season to its first was the fascinating spectacle of watching a narrative structure disintegrate and a narrative artist freeze up and try to shuck and jive when the plot reached a point where his own weaknesses as an artist were going to be exposed (just imagine the fear: this disintegration was happening on national TV).

I'm a massive fan of David Lynch and 'Twin Peaks.'

I submit that the real reason we criticized and disliked Lynch's Laura's muddy bothness is that it required of us an empathetic confrontation with the exact same muddy bothness in ourselves and our intimates that makes the real world of moral selves so tense and uncomfortable, a bothness we go to the movies to get a couple hours' fucking relief from.