The process of making natural history films is to try to prevent the animal knowing you are there, so you get glimpses of a non-human world, and that is a transporting thing.

Natural history is not about producing fables.

You can only get really unpopular decisions through if the electorate is convinced of the value of the environment. That's what natural history programmes should be for.

Being in touch with the natural world is crucial.

An understanding of the natural world and what's in it is a source of not only a great curiosity but great fulfillment.

Cameramen are among the most extraordinarily able and competent people I know. They have to have an insight into natural history that gives them a sixth sense of what the creature is going to do, so they can be ready to follow.