The process is based on training, lots of improvisation. Before you start somehow you have to establish two things. How the performance sounds and how the performance moves. Once we find the grounds, that gives us a base - it's a long process. Later we improvise with precise elements and in that way the performance grows - and you just wait. You give up your first ideas and let other ideas, deeper or more complicated, come. I'm not easily satisfied with what actors or I produce.

Grzegorz Bral