The problem, as I see it, is that you've been told and not told. You've been told, but none of you really understand, and I dare say, some people are quite happy to leave it that way.

I'm interested in memory because it's a filter through which we see our lives, and because it's foggy and obscure, the opportunities for self-deception are there. In the end, as a writer, I'm more interested in what people tell themselves happened rather than what actually happened.

I like the fact that by mimicking the way memory works, a writer can actually write in a fluid way - one solid scene doesn't have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it.

I'm not at all interested in the brave who fight against the odds and win. I am interested in those who accept their lot, as that is what many people in the world are doing. They do their best in ghastly conditions.

When you're lucky enough to have a good film made of your novel - and 'Never Let Me Go' is, believe me, a heartbreakingly good film indeed - you get wonderfully talented individuals each focusing on their special area.

It was like there was some parallel universe we all vanished off to where we had all this sex.