The orchestra confides in me about their music director or their conductor, and I've never seen a conductor that's been liked by everyone.

Good conductors know when to let an orchestra lead itself. Ninety percent of what a conductor does comes in the rehearsal - the vision, the structure, the architecture.

I mean, the great secret is that an orchestra can actually play without a conductor at all. Of course, a great conductor will have a concept and will help them play together and unify them.

I do basically what a conductor does with a baton, except I also play along with the orchestra. So I have to juggle the roles of playing the concertmaster; sometimes I drop the violin and wave my arms.

We're the orchestra and he's the conductor.

The director is a bit analogous to the conductor of a symphony orchestra. It's a collaborative adventure.