The multitude was a frothing octopus, pulsating anthropomorphically over the church steps.

The window of her sadness was so vast that it almost opened a path to her soul.

The night was so balmy that breathing ceased to be a habitual sensation, becoming much closer to something like the gaseous ingestion of a mango, the velvet caress of a hand or the soft skin of a fresh peach. Sleeping, lying down or sitting up, was, on that night, a divine human penitence, a miracle unexpected and unrealized, intuitive and peaceful in a unique opportunity.

The morning was, therefore, a mixture of a plenitude of densities, from the presence of the placid birds, to the mundane premonition, to the spring of small glisters which accompanied that autumnal rain. The music, in a simple whistle, recreated a new universe with the parish and all the hearts that were witness to it- padre, pigeons, swallows, the world!- were clothed in a new carnivalesque colouring: a celebration from within.

No matter how great the love, the pain, the sadness, the power of a heart, no one can recreate the sea. Nowhere else.

The elders say- difficult to prove- that winged creatures also dream. The birds are lovers of heights, always searching out landing spots, never constant here at the foot of the human race. 'It's that they discovered a magical advantage...' they say, 'the sound of silence.'
At the foot of the clouds the raindrops come earlier, it's true, and the silence of the sky is something unattainable for those who don't fly- we have never experimented. The dream of the birds was that man of them headed for a land where they experienced a similar magic to that lived by them.
In the final analysis, music is the only human sound similar to that of silence.