The key for me is really just to stay in a child-like state in the rehearsal studio. I'm really goofy and really silly and crazy. If I get too serious, I start hitting a wall.

I want to choreograph, I want to direct, I want to act, I want to write music, I want to play music, I want to sing. For me, it's never-ending. I want to do it all, really.

It's such a cliche thing to say. I want to choreograph, I want to direct, I want to act, I want to write music, I want to play music, I want to sing. For me, it's never-ending. I want to do it all, really.

He who shall, so shall he who!

Can someone's true value really be estimated? Maybe there needs to be an Edmunds.com for people on TV. That would be funny and possibly cruel.

Whether I'm doing a routine where I want to move people, or if I want to feel moved myself, I definitely tap into those moments where it's not just dancing or movement. It might just be a hand gesture or just a slow look, or even just the way you slightly tip your head forward. These subtleties speak volumes.