The books written by Paul Valéry, Walter Benjamin, Ludwig Wittgenstein, Marshall McLuhan, Gilles Deleuze, Douglas Hofstadter, and Niklas Luhmann can be understood as attempts to do justice to the New Media world at a level of technical depiction. And what is more: these books are no longer books in the strict sense of the word, but mosaics consisting of quotations and fragments of thought. They perform an art of writing which might be called cinematic - composing books as if they were movies. These books try to burst through the limits of the book form. Of course, most of these attempts have failed. But even this failure is instructive. The information processing system ‘book’ is clearly no longer up to the complexity of our social systems. For this reason, authors who are aware of this and yet want to remain authors, organise their books according to structures and patterns taken from nonlinear information processing systems (BoIz, 1994, p. 2).

Norbert Bolz