The author is at one end of the experience of writing and the reader is at the other, and the book is the contract between you.

Maybe reading was just a way to make her feel less alone, to keep her company. When you read something you are stopped, the moment is stayed, you can sometimes be there more fully than you can in your real life.

The orator yields to the inspiration of a transient occasion, and speaks to the mob, before him, to those who can hear him; but the writer, whose more equable life is his crowd which inspire the orator, speaks to the intellect and heart of mankind, to all in any age who can understand him.

After finishing 1st draft of a novel, I have the characters, dialogue, scenes, and a plotline. I used to think this meant I knew where the story was going, and what the book was about.
I have learned over the years, this ain’t so.
As I work through its 2nd draft, characters start to nudge each other. The story itself takes its first soft and shallow breath, and one could imagine he hears a little bit of a heartbeat. Passions deepen, and emotional threads start to weave through what had earlier just been little more than a sequence of events.
On the 3rd run through, the characters stand tall. Some break free of my earlier concepts of what they were all about, what they wanted, how they related to each other, and where they were going.
From then on, THEY set the pace, and I do my best to honor them in becoming what THEY choose to be.
From then on, my friends; we have a story!

By the end of the 3rd draft, I have enough of an idea of where the characters are going, and how their passions empower the story, or tear it apart, that I can start cutting away, and cutting away, anything that isn’t that.
Until we reach the point where there is not a single word left anywhere in the book, that isn’t a vital, dynamic, organic contributor to the living whole.

It comes a point in which you don't know if you write books or the books write you

... The Book is more important than your plans for it. You have to go with what works for The Book ~ if your ideas appear hollow or forced when they are put on paper, chop them, erase them, pulverise them and start again. Don't whine when things are not going your way, because they are going the right way for The Book, which is more important. The show must go on, and so must The Book.