The abundance of beards in periods of social unrest, times of revolt or upheaval, should be noted. It's the handiest way people have of making themselves mysterious.

What an odd thing a stranger is. A stranger sleeping next to you. I listen to his breathing as if it were his entire life, with its hidden processes, the pulsing of the blood in the tissues, with thousands of tiny hidden decays and combustions, which together create and maintain him.

I could reply. I could tell him that a metaphor is inadequate in the face of a bloodbath. That a Platonic inclination for dying doesn't balance out the serious decision to kill. That through the ages there has never been a great historical infamy committed for which there couldn't be found a symbol just as big, to justify it. That, in consequence, we would do well to pay attention to great certainties, to great invocations, to the great 'droughts' and 'rains'. That the temper of our most violent outbursts might benefit from a shade less enthusiasm.
I could reply. But what good would it do? I have a simple, resigned, inexplicable sensation that everything that is happening is in the normal order of things and that I am awaiting a season that will come and pass -- because it has come and passed before.

Barurile astea sunt ca femeile: nu ştii nici de ce vin, nici de ce te lasă.

You will face yourself again in a moment of terror and will learn once again that old lesson you keep forgetting: that you can escape from anywhere, but you cannot flee your own self.

To call the population of strangers in the midst of which we live "society" is such a usurpation that even the sociologists wonder if they should abandon a concept that was, for a century, their bread and butter. Now they prefer the metaphor of a network to describe the connection of cybernetic solitudes, the intermeshing of weak interactions under names like "colleague," "contact," "buddy," acquaintance," or "date." Such networks sometimes condense into a milieu, where nothing is shared but codes, and where nothing is played out except the incessant recomposition of identity.