Symphonic orchestras have almost become a glut in the market.

Although we are being presented in Carnegie Hall, we have to furnish a budget for our guest stars, and for the music writing - which is a huge budget in any orchestra that plays popular music.

I worked with practically everybody in the business in all of the years in NBC, but I worked personally many years with people like Crosby and Sinatra, so of course that was a great ground school for me.

I recorded with Sinatra, but the recording business is a very strange strata right now.

It seats 1,100 and the stage itself is almost big enough by itself to fit the whole orchestra on. We are very excited about it. It has multi-media capabilities with screens on either side of the stage.

When we're talking about market instruments, then we are much more favorably inclined to emissions trading than we are to taxes and charges.