Sometimes I go, 'Wow, this is a director I really, really want to work with,' like David Cronenberg. I haunted David Cronenberg for years before, and then he offered me a role.

I think it's really odd, too, that the public is so privy to how much money the actors make and what movies cost. It seems to me to be beside the point. When I go to a movie I really don't want to think about the money. I want to see the story.

Sometimes it's the lead, but there are not always leads out there, so then it's an interesting supporting character, or there's a lot of dough, although that happens less and less. Let's have a good laugh about that one.

It's hard for me to get good work. You don't see me more because it's hard for me to find stuff that I want to do. I would love to work more-I really would-but there is not a lot of stuff around and the stuff that is around is not very complicated; it tends to lie a little flat.

Once I hit 45, there was a real downturn. But I got an incredibly provocative, delicious lead role in a television series called 'Saving Grace,' and I loved the character.

I've always had to move between a couple of years of unemployment, where offers are not provocative enough to take, and seasons where I work nonstop for a year. It's always been an erratic rhythm.