Some days are just born bad. You know the type. The kind you want to sweep into your palm like spilled salt and toss over your left shoulder, hoping that if you don't look back nothing worse will happen.

Why would one ever be so insane as to ditch a perfectly beautiful metaphor? Cut back, of course, prune if you like, so that the best metaphors are clear and sparkling. But I will throw out unread the book that promises me no metaphors inside.

Something tugged inside him. A flutter of unease.
Do you sing? Those had been her first words to him, the day she had bought him.
A band of nausea circled Arin’s throat, just as it had when she had asked him that question, in part for the same reason.
She’d had no trace of an accent. She had spoken in perfect, natural, mother-taught Herrani.

Music made her feel as if she were holding a lamp that cast a halo of light around her, and while she knew there were people and responsibilities in the darkness beyond it, she couldn't see them. The flame of what she felt when she played made her deliciously blind.

Arin took the basket from her. "Coming or going?"
"I've a errand here, and won't be home until late."
"Shall I guess what brings you to town?"
"You can try."
He peeked in the basket. Bread, still warm from the oven. A bottle of liquor. Long, flat, pieces of wood. Rolls of gauze. "A picnic...with a wounded soldier? Sarsine," he teased, "is it true love? What's the wood for? Wait, don't tell me. I'm not sure I want to know."
She swatted him. "The cartwright's oldest daughter has a broken arm.

Kestrel's cruel calculation appalled her. This was part of what had made her resist the military: the fact that she could make decisions like this, that she did have a mind for strategy, that people could be so easily become pieces in a game she was determined to win...