Sombres, dites-vous? Mais posez-vous la question docteur : pourquoi tous les grands philosophes sont-ils sombres? Demandez-vous qui sont les gens satisfaits, rassurés et éternellement joyeux! Laissez-moi vous donner la réponse : ce sont ceux qui ont une mauvaise vue ― la populace et les enfants!

I have a lot of blurring between fiction and non-fiction in so many of my works. For example, my first novel, 'When Nietzsche Wept,' has a great deal of non-fiction in it. I didn't create many characters at all. Almost all of them are historical characters that actually existed.

Humans who are victims of that freakish twist of evolution that grants self-awareness but not the requisite psychological equipment to deal with the pain of transient existence. And so throughout the years, the centuries, the millennia, we have relentlessly constructed makeshift denials of finiteness. Would we, would any of us, ever be done with our search for a higher power with whom we can merge and exist forever?

The life of our bodies is only a constantly prevented dying, an ever deferred death…Every breath we draw wards off death that constantly impinges on us, in this way we struggle with it every second…Death is far more familiar than we generally think. Not only have we a taste of death daily in our sleep or in states of unconsciousness, but we have all passed through an eternity of nonbeing before we existed.

How shall we live? How to face our mortality? How to live with the knowledge that we are simply life forms, thrown into an indifferent universe, with no preordained purpose?

Life can be compared to a piece of embroidered material of which, every-one in the first half of his time, comes to see the top side, but in the second half, the reverse side. The latter is not so beautiful but it is more instructive because it enables one to see how the threads are connected together.