So, in other words, how you respond to a sculpture, how a viewer sees the sculpture, is vital.

I mean another thing I thought was, for example, important about Early One Morning, how long it is and you don't get it all in one.

Early One Morning takes time and, I mean, all things like that I felt were very important.

But I don't think you really question the work. The work is there, it' s made, it's got it's own character, it's got it's own life and it's left you.

But I don't think that sculpture belongs in everyday life like a table does, or like a chair.

You can use a biography to examine political power, but only if you pick the right guy.