She was black, too, or rather, a delicious shade of café au lait, and this, we were constantly told, represented progression an industry concerned merely with surfaces. (I am dubious: could it not be that, this season, café au lait was the 'in' shade? Have we seen a sudden influx of black women into the industry in Landry's wake? Have our notions of female beauty been revolutionised by her success? Are black Barbies now out-selling white?)