Seven smirked as he walked back over to me. "I gave you catharsis last night. Twice.

I watched the black ocean in his eyes and saw this flash behind them and understood what he had meant the night before, about the insanity that had gripped him. He was not so far gone as to be lost, but he was close, and I knew it had come from me turning my back on him as I had started to flee. Whether I wanted to or not, I anchored him to this world, and I was the only thing he'd known, maybe for his whole life. He had watched me, yes, he had stalked me, oh yes, but it had driven him to the edge. I inhaled sharply at the wildness I saw in him, the despair that was threatening to rise.

It’s funny, really: the older you get, the more you know about the world. The synapses in your brain fire at a higher level and quicker function, your knowledge expands. But you lose part of yourself, that part able to imagine great armies that wait for nothing more than your command; the dragon that hides under your bed that only you can see, its long emerald tail flashing in the darkness; the ghost that lives in your attic that only moans at 3:23 in the morning. When you lose that innocence, the world’s hues become dark and muted, and you know that dragons aren’t real. There is no army. There is no ghost in the attic. But when you’re nine? When you’re nine, it’s all probable, it’s all realistic, and even more so, it’s all true.

Life is all about chances. It’s all about these little moments that add up to greatness. And there are times when you have to grab greatness by the balls and say, ‘Hey! Greatness! I’ve got your nuts and you can’t do a single godsdamn thing about it!

Well, then, Otter, of course I don’t like Bundt cake. It has eggs in it. Baby chicken eggs. You don’t see chickens standing outside of maternity wards waiting to get our babies to make their Bundt cake, do you?

So while I drove my little and planned his fantasy night of how I was going to give Otter the key to my soul (his words, not mine), I silently panicked and wrote lines of bad poetry. Normally, I am quite adept at writing poems and lyrics to songs I'l never sing, but this stuff was just atrocious. For example:

I love you
You love me
Thank God for that
I'm so happy

And Ty's personal favorite (which he helped me on):

Otter! Otter! Otter!
Don't lead cows to slaughter
I love you and I know
I should've told you soon-a
But you didn't buy the dolphin-safe tuna!

TY asked me if I got the hidden message in his poem. I told him it was loud and clear.