People always portrayed us as enemies, like two boxers on opposite sides of the ring, but of course it was never really like that,

People think that their world will get smaller as they get older. My experience is just the opposite. Your senses become more acute. You start to blossom.

I believe in people so much that if the whole of civilization is burned so we don't have any memory of it, even then people will start to build their own art. It is a necessity -- a function. We don't need history.

So many people have approached me and said, 'Can I do a musical of John,' ... It's a very simple idea, you know - wow, a musical of John! But I've said no. This time, I said yes, because I liked the idea of having these different actors playing John. Because in the years after John's passing, John has transformed into something else. People in Asia think of him as their hero. People in Africa think of him as their hero. He was a hero for the whole world, and not just a white hero. So it's great to have a black performer singing as John. For me, this play is a revolution, a quiet revolution.

Sound as medium has an incredible elasticity. So, of course, it is tempting for artists of other fields to try something with sounds. Why not? We are living in the age when there is no limit in gathering all forms of art and music to mix it together if you so desire.

At this time I think it's important that we remember John for what he contributed to the world. For people who still love John's music and for those now getting into John's music, this opens up a whole new world in which they can appreciate John's music again.