One has to retire eventually, Guy.

At the beginning, I experienced writing as a sort of constraint. Starting so young as a writer is pitiable: it's beyond your powers; you have to lay bare things that are very heavy, and you don't have the means for that.

In the end, we forget the details of our lives that embarrass us or are too painful. We just lie back and allow ourselves to float along calmly over the deep waters, with our eyes closed.

I write in the most classical French because this form is necessary for my novels: to translate the murky, floating, unsettling atmosphere I wanted them to have, I had to discipline it into the clearest, most traditional language possible.

Writing is a strange and solitary activity. There are dispiriting times when you start working on the first few pages of a novel. Every day, you have the feeling you are on the wrong track. This creates a strong urge to go back and follow a different path. It is important not to give in to this urge but to keep going.

Something happens between a novel and its reader which is similar to the process of developing photographs, the way they did it before the digital age. The photograph, as it was printed in the darkroom, became visible bit by bit. As you read your way through a novel, the same chemical process takes place.