One expert may be as good as another until one writes a book

A rain forest springs from the droppings of animals and grows greater than any cultivated garden; likewise, a great mass of literary skill springs from the droppings of writers that cross our minds through the reading we do.

Maybe those sailors will write bad poems, but the same men would have kept dull diaries, too. The problem has to do not with the evidence but with the witness. The point is not the adventure but the adventurer. Reality cannot be directly rendered. Reality is a pile of bricks that can assume many forms.

The only way you'll find out if you "have it in you" is to get to work and see if you do. The only way to override your "limitations, insecurities, jealousies, and ineptitude" is to produce. You have limitations. You are in some way inept. This is true of every writer, and it's especially true of writers who are twenty-six. You will feel insecure and jealous. How much power you give those feelings is entirely up to you.

You can always edit a bad page. You can't edit a blank page.

If something inside of you is real, we will probably find it interesting, and it will probably be universal. So you must risk placing real emotion at the center of your work. Write straight into the emotional center of things. Write toward vulnerability. Risk being unliked. Tell the truth as you understand it. If you’re a writer you have a moral obligation to do this. And it is a revolutionary act—truth is always subversive.